Why do bad movies make money

M oviegoers are always talking about films or directors that do not get the respect they deserve. Brilliant films are slighted at the Oscars, while tripe and offal is honoured, they say. Why do bad movies make money go wild over inane cartoons, while brilliant animated films from Japan or Iran bav little more than obscure cult favourites, known only to a select. Everyone sees the mass-produced Hollywood trash; nobody sees the hidden, low-budget, indie, foreign gems. There are, on the other hand, films that do get the respect they deserve. They get exactly the respect they deserve. That is: they get no respect whatsoever. It was stupid. It was trash. It was moviws.

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The first is a new writer getting noticed and moving ahead in their career in some way. The second is a movie getting greenlighted. What are they looking for? An idea they think could sell, backed by a very well executed script. And just as importantly, original voices from writers who have mastered the fundamentals and can produce on the page at a professional level that is compelling, clear, believable, entertaining, emotionally involving, and a true pleasure to read. Those who do usually worked very hard and long on many scripts for many years to get to that level and educated themselves hugely along the way. The first thing one has to understand is that this is a business like any other, meaning that the only goal of the decision-makers who green light movies is to make a profit. What makes a script or idea for a movie a good choice, from a business perspective? But you only have to look at the top grossing movies in recent years to see that prior brand awareness and popularity is a key element. Sequels of movies that made money tend to make money, more easily than new ideas. It just makes business sense. Although some of those kinds of movies will win awards every year, and a smaller few will break through commercially. Very smart people study these things to the extreme. The next thing to understand is that no one sets out to make crap — unless they know it will still make tons of money, despite being crap. They set out to make something that will provide audiences with the types of emotional experiences and entertainment that have proven to be successful in the past. Finally, a lot of movies get made because someone very powerful wants them to. A big star, director, producer, or studio executive can sometimes push through a pet project that seems less likely to work commercially, but because of their leverage, or even because someone is trying to cultivate business relationships into the future, the movie will still get made. None of this has much to do with the other side of the process, where aspiring writers are trying to break in. A grand slam home run for a new writer would be to actually sell a screenplay, which usually means it does satisfy some or all of the commercial criteria above.

Box office is one way a film makes its cash: but what are the others?

Why, for example, does a movie with huge potential — an A-list cast, large budget and good concept — flop? To answer that question, we need to look at corporate culture. In Hollywood, a studio executive is under enormous pressure to make money for the studio and its shareholders. One of the ways that happens is when the executive can find a major star, producer or director who is attracted enough to a studio to make a deal committing several feature films to that studio. Because of his signature style of filmmaking, Walt Disney Studios dangled a nice financial carrot to keep him on their roster. Yet, Disney, in a rare move, severed ties with Shyamalan when it passed on producing his most recent film, Lady in the Water. Now, Warner Brothers, who courted Shyamalan, will have first crack at his other films because they are betting on him to succeed down the road. The same thing happens with actors. A studio executive wants to make a deal with an actor and — instead of just signing that actor to one picture — will give him or her a production office on the lot and a three-picture deal. Since that actor owes the studio films, the actor may commit to a script simply to fulfill the contract. Another reason bad films get made is because someone, who may not necessarily be qualified for specific work, happens to be in the right place at the right time. Many years ago, over a weekend, I was helping a president of well-known production company move furniture to his new offices. When he found out I had a graduate degree in film, I was named vice president and head of development for the firm. I started Monday with a private office on the top floor of a Hollywood high rise! In the same way, people less qualified have risen to high ranks in the industry simply because they were positioned at the magical place at the right moment. I have seen numerous deals like that go through, where people get brought into a project because they were at a lunch meeting with someone who recommended them — no questions asked about their credentials. A good used car salesman with very little talent can make it. Generally speaking, it is said that a good script is needed to make a good movie. Yet, many studio executives do not read the scripts submitted, so they depend on notes from script readers — usually college-age interns — who jot down the good and bad points of a screenplay. When a studio gets serious about a project, usually the producers and studio executives spend time reading the scripts to make a final decision. Sometimes, when celebrities want to make big purchases — perhaps buy a beautiful villa in Tuscany or a private airplane — they will have their agents call studios and let them know of their availability to star in, say, Tidy Bowl Man.

Why Hollywood Makes Bad Movies

Good movies, like good, well written dramas seem to be what society isn’t looking for today. I can’t speak for everyone, but many people today just want to see a building blowing up, or fight scenes with lots of blood and violence.

Anyone could make a film like that with their eyes closed. A lot of films like that are an unintelligent, yet mone are the films people are wanting more of, so Hollywood keeps giving to us. The good well written films these days are usually foreign films and are rare to find and only come out in small hand fulls every year.

These are the films I always look out. An audience should be challenged to think deeper about things. The bad films make more money because it’s what society wants, so they keep feeding it to us. Because most good movies are not interested in making a large profit, they are more interested in being mame and defining a genre with its story and characters.

Most bad films are just quick cash grabs that rely on mass advertisements and mass appeal to audience to gather a profit as quick as possible and move on. Now they are exceptions to every rule, most bad movies do bomb and good movies normally make a profit as well Not to the same extend I will admit but.

But the thing is no film studio or crew goes into a film unless its ehy or they just don’t care to make a bad movie it just turns out like that ehy why do bad movies make money the reaction to. In the end good movie typically make less money because they are mostly geared toward a selected audience, fully define their characters and story, and put less effort into makke the audience and more effort into telling a good story.

Bad movies try very hard to appeal to as many people as possible and fill their stories with so much story and plot that it overshadows any acting or performances and often the films become incomprehensible due to content overlord. But they do work in drawing in a large enough audience to make a profit. Again they are exceptions to both situations, but that is usually the norm when it comes to films.

In the end there is no real clear answer there are many moviez factors then just those, countless actually, but I would suggest to keep this in mind at.

It’s certain people who hang in certain circles. They have the influence. A movie that is good is not going to necessarily going to get the attention because of the money. It’ how things are run. This is why so many people don’t like having why do bad movies make money in power in the USA.

They play the game tit for tat. Much of it is audience. Young people spend more money so they make more money for the movie. Their tastes are often mae to adults. Bad movies attract more audience with its special or funny points. Depends on those «Bad movies» focus on what and that exactly push audience go to theater to watch. Because mainstream audiences don’t care about films with artistic value which require your full attention.

They only care about explosions, fast cars, boobs, or crude humor. Trending News. NFL currently ‘won’t allow’ 49ers’ Super Bowl request. Singer falls silent, dies during live performance. Student found dead at Stanford University fraternity.

Trump mocks ‘foolish’ plans for NYC sea wall. Philip Rivers makes ‘permanent’ offseason. A luxury dish is banned, and a rural county suffers. Do you plan to file an Equifax breach claim? Answer Save. Pain Lv 6. Hector Lv 4. But they do work in drawing in a large enough audience to make a profit Again they are exceptions to both situations, but that is usually the norm when it comes to films. Box office should never be a indicator of quality. Power Lv 7. Andrea Lv 4. How do you think about the answers?

You can sign in to vote the answer. Prince Nez Lv 7. Daniel Lv 5. Most of the better movies are released independently. The Unknown One Lv 6. Show more answers 1. Still have questions? Get your answers by asking .

The summer blockbuster, which attempts to show how doomed we all are when the next big earthquake hits, is the latest poorly received film that audiences nevertheless embraced. Another film that rankled whj and scientists alike, The Day After Tomorrow depicts climate change gone bad, very bad. Space cowboys who save the planet? Ben Affleck why do bad movies make money naughty things with animal crackers? One of the most highly anticipated comedy sequels in recent memory, The Hangover II was destined for box office greatness. They could why do bad movies make money filmed Zach Galifianakis throwing up for mivies hours and made money. Is this the worst children’s show-to-film adaptation of all time? That would be Inspector Gadget. But The Smurfs is certainly one of the most painful to mocies a boatload of money. Lured by Katy Perry and crippling nostalgia, parents who grew up with the tiny blue creatures took their kids to theaters in droves. Hollywood cashed in. Critics sighed. Even the best make mistakes. Pirates of the Caribbean: On Stranger Tides Calling this film a shipwreck is generous. Keeping with the water-themed metaphors, On Stranger Tidesthe fourth installment in this Disney franchise, is a clogged toilet. You really want to flush the excrement movise, but no matter how hard you try, the turd keeps floating back with a vengeance. Live Stream information currently unavailable. KQED arts.