How much money did semisonic make

how much money did semisonic make

Semisonic is an American alternative rock band formed in Minneapolis, Minnesota in The band has three members: Dan Wilson how much money did semisonic make vocalsguitarkeyboardsJohn Munson bass guitarkeyboards, backing vocalsguitarand Jacob Slichter drums hhow, percussionkeyboards, backing vocals. They are best known for their single » Closing Time «. Semisonic’s breakthrough came two years later in when their second album, Feeling Strangely Finereached the Top 50 chart on the strength of the hit single » Closing Time ,» their biggest hit in the United States. In a performance at Harvard’s Sanders Theatre, Wilson made it known that it was originally written about the birth of his first child. Their international career also blossomed when another song from the album, » Secret Smile ,» quickly became a UK radio favorite in the summer ofeventually jake at No. In earlythe band released its third album, All About ChemistryThe single «Chemistry» was a mainstay overseas; however, the album did not fare as well in the United States. Wilson has spoken of doing more Semisonic music in the future but said, «The busy day-to-day life keeps pushing it further into the future. The band reunited for a series of two shows on June 14, in St. Paul and June 16, in Minneapolis for the first time in nearly five years. The St. Paul show at a smaller venue served as a live rehearsal for the Minneapolis show at famed Minneapolis club First Avenue. The band followed similar set lists for the shows, playing the album Great Divide in its entirety with mucch few additional songs, including a live debut of the Wilson-penned «Basement Tapes». Semisonic played together again in December with a similar combination of St.

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Dan Wilson noticed something curious about Adele. On live recordings of the smash they wrote together, «Someone Like You,» the British pop superstar frequently avoids the impossible high notes she nailed so beautifully in the original. Wilson, the prolific songwriter and former Semisonic and Trip Shakespeare frontman who revisits the song on his own new album, «Re-Covered,» has a theory about this: For Adele, and Adele alone, the climactic notes in her signature ballad make her voice seem I loved them. It’s her breaking out of the chains of being a mortal person, and she turns into a goddess of singing at that point,» he says by phone from his Los Angeles home. I don’t want to guess too much, but she doesn’t sing in a messy way, ever. She doesn’t lose her stuff , you know? Wilson, 56, is one of those songwriters, from Jimmy Webb to Max Martin to Sia, who has the perfect touch and timing to build other singers’ pop hits. Although he started out in bands — Semisonic’s biggest hit was ‘s unavoidable «Closing Time» — he worked with singers such as Rachael Yamagata and Jason Mraz before landing his first superstar collaboration in with the Dixie Chicks. He helped them write several songs, including «Not Ready to Make Nice,» a slow-building rocker that addressed the country trio’s famous on-stage critique of President George W. Bush and the war in Iraq. And all of us would agree, we didn’t want to write something preachy. They could go from one setting to another and still be great. I grew up in Minnesota, where up at the lake or in the woods, someone would have a guitar, and you’d pass it around, and someone would sing pop songs. Noticeably, Wilson elevates to a falsetto to achieve the «Someone Like You» notes that were so effortless for Adele. His version has less power and drama but is more plainspoken and relatable. With the help of collaborators Kronos Quartet, instead of going up, we went in, and it still works. Born in Minneapolis, Wilson developed his musical abilities along with his brother, Matt, with whom he performed in Trip Shakespeare, a rock band that had catchy, underrated songs like «Bachelorette» and «Lulu. Over the past nine years, Wilson has put out strong albums, like ‘s «Free Life,» reunited with his brother for a concert and sporadically played reunion shows with Semisonic, most recently at their former home base Minneapolis in June. But Wilson is far better known, and makes far more money, as a behind-the-scenes songwriter. During the half-hour phone interview, he is told a story, gleaned from the radio, about how the great Webb gave Glen Campbell his classic «Wichita Lineman» minus a final verse. Webb ran into Campbell a few weeks later.

how much money did semisonic make

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More than two decades later, Dan Wilson can still remember the conversation he had with then MCA promotion executive Nancy Levin on the eve of the release of «Closing Time. How do we know that? The album, expanded for the CD and digital release with four B-sides, is also being released on vinyl, marking the first time one of the band’s releases has been issued on vinyl. Levin, who died in a dirt-biking accident in , was correct. It subsequently helped push Feeling Strangely Fine to platinum sales. It also put Wilson on the map as a noted songwriter. The good luck of the song was much bigger than the good luck of the band, but the band was also very, very lucky. Semisonic, which also includes bassist John Munson and drummer Jacob Slichter, never officially broke up. Following the release of All About Chemistry they went on an extended hiatus, but still occasionally reunite for charity gigs in their hometown of Minneapolis. Meanwhile, «Closing Time» continues to have a life of its own. A decade ago, Wilson revealed that the song also has a meaning that runs a bit deeper. It’s partially inspired by the birth of his daughter, Coco. We had spent seven years of our lives at that point, four nights a week entertaining people.


Semisonic — Makin’ a Plan [download]


What was happening with the band, and how how much money did semisonic make had you been together at that point? Semisonic had been on tour for a lot of the year before, because we had this album Great Divide that came. We were basically just living in nightclubs all the time. Now the winter found us back home in Minneapolis, kind of woodshedding, talking sdmisonic what we wanted to do. So I was writing songs on acoustic guitar, showing them to John [Munson] and Jake [Slichter], and I remember I was just in the mode of writing a song a day for a month. So there was literally a song written 24 hours before that and a song after that, and nothing stood out to you about that one? Yeah, right. Nothing stood out at all. We were making the simplest possible demos.

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